The Kingdom of Back (Mar. 3, 2020) by Marie Lu.
Everyone is
familiar with Wolfgang Amadeus Mozart (affectionately called Woferl), but this is not his story. It
is hers. Maria Anna Mozart, usually
called Nannerl. She’s the elder
Mozart. The big sister who should shine as brightly as her little brother, but
for the fact that she’s female in a male-dominated world (this is the 18th
century, after all). This does not stop her from her desire to compose music for
all to hear and is masterful in playing the clavier
(harpsichord), but she’ll only perform until she’s of a marriageable age,
according to her strict and often tyrannical father. As is known, Woferl shines
brightly from a young age; he’s clearly a prodigy. His brilliance eclipses
Nannerl’s swiftly and with such ease, and she struggles with jealousy. People
will remember him, but what about her? The Mozart family’s tours are long and
often take a toll on the young Mozarts, especially on Woferl’s health.
Strangely, his downturns in health seem to coincide with a handsome, mysterious
stranger from a land of their own stories. A forest surrounds a kingdom, but
the trees grow upside down (this is the Kingdom of Back, for it can seem
backwards). It is a magical place, intriguing to explore and fantastical, and
they even outwit a witch. The stranger, Hyacinth, says he can help Nannerl if
she’ll help him. But at what cost?
From what I’ve read from Marie Lu,
“The Kingdom of Back” is her first foray into the world of historical fiction.
Historical fantasy. Lu’s YA novel is a clever composition of history, magic and
world-building. Whether at home in Austria, somewhere in Europe on a grand tour
or visiting Back, Lu blends each setting to segue without hitting the wrong
note. That isn’t to say it’s a perfectly comprised concerto. Despite reading
the book fairly quickly, there remained something slow about reading it
compared to the colorful excitement of the Warcross
duology or the action of the Legend
series. While I appreciated the historical element, I was less impressed by Hyacinth
and Back as a whole. That part felt a bit generic, I’m disappointed to admit.
Still, the love/rivalry of the Mozart siblings is emotional and compelling,
especially when Nannerl opens her eyes to the Faustian mess she’s gotten
herself into. I may not have loved this story, but there is music in it. Can
you hear it?