Welcome to this year’s second batch of young adult (YA)
fiction! I’ve got a nice variety in this compilation. There’s a sci-fi/fantasy
space opera, a fantasy/mythology origin story and a historical, murder mystery
noir.
<This is
a standalone novel.>
They are the Muses, Goddesses of Arts and Proclaimers of
Heroes. Except they aren’t. Not yet. Right now, Calliope (Calli), Clio,
Melpomene (Mel), Terpsichore (Ree) and Thalia know themselves to be five mortal
sisters and daughters of Mnemosyne. Their mom forbids them from
performing in public without explanation. The teenagers are all gifted
performers with no audience. This changes when Ree choreographs an amazing
public performance that’s also disastrous. Mnemosyne declares that they must
leave Krymmenos, but before they can, she is abducted. They now know she’s a
goddess, but do not know that she’s the goddess of memory. Under Calli’s leadership,
the sisters travel to Thebes to petition the gods, and Apollo and Hermes answer
the call. Trouble is, they don’t recall their mother. Unbeknownst to all of
them – the sisters and the two Greek gods – they are being thwarted by Hades
and his imps, Pain and Panic. As they journey to try to save their mother,
through mythical trials and tribulations and the Underworld itself, they
realize their own unique gifts crafted in them by their mother and lean on the
strength of their sisterhood, present even when tempers flare. These sisters
five have never been zeroes, but they’re definitely on their way to being
heroines. “And that’s the gospel truth!”
A
fresh-faced YA fantasy take on Greek mythology, this untold origin story of the
five Muses from Disney’s Hercules is a terrific exploration of
the Muses, female goddesses that are not as well-known as other Greek gods and
goddesses. Told from the viewpoints of Calli, Ree, Mnemosyne and Hades, it is
an adventure that’s harrowing and heartfelt, devoted and dramatic (that Hades
and his temperamental, color-changing moods). Rochon is clearly skilled in
creating characters with distinct personalities – I had no trouble
distinguishing each of the sisters – and taking on fairy tale adaptations. Like
the sisters’ quest, Rochon’s writing is thrilling. She balances well sisterhood
and risky adventure like the bestselling author that she is.
The Muses (oldest to youngest):
Muse of Epic Poetry: Calliope
Muse of History: Clio
Muse of Tragedy: Melpomene
Muse of Dance: Terpsichore
Muse of Comedy: Thalia
Kill Her Twice (Apr. 23, 2024) by Stacey Lee.
<This is a standalone novel.>
The pride of Chinatown, the one who was able to leave and become a star of the silver screen, has returned ... in death. Lulu Wong is discovered by the two eldest Chow sisters in an abandoned stable where they prep their flowers before selling: May, the responsible eldest who was Lulu’s friend and classmate, and Gemma, the fiery middle sister with a knack for ideas that may or may not land her in hot water. Peony, the youngest, often feels left out when Gemma and, grudgingly, May, complete their own investigation into Lulu’s death. It’s 1932, and the LA police don’t appear committed to putting in any serious investigation. Chinatown already has a bad rap, because powerful, rich, white people want to demolish the neighborhood, citing that the Chinese are “by nature, drunken and slovenly,” and fill a neighborhood that’s full of crime and “many hideous perversions,” to make way for a railway depot (Union Station). When the LAPD arrests one of Chinatown’s own for the murder of Lulu, someone they know couldn’t hurt a fly, even May truly doubles down on investigating, going so far as to become (accidentally, on her part) a part of the film production Lulu had been cast in. Unfortunately, the actual killer remains on the loose. Will May and Gemma wind up in the killer’s crosshairs?
Firstly, while this YA murder mystery noir is a work of fiction, Los Angeles’ Union Station truly does stand where Old Chinatown once stood. Told from the alternating viewpoints of May and Gemma, this twisty, historical novel is witty, intricate, immersive and captivating, exploring prejudice, corruption, grief and familial duty within a swiftly-moving story featuring star characters and a little Old Hollywood flair. There are no love triangles or angst-y teens to deal with in this riveting, historical page-turner. Amid the glitz and grime, there is sisterhood and unity despite discord. It’s another smartly written novel from Lee.
Moonstorm (June 4, 2024) by Yoon Ha Lee.
<This is
the first novel in a trilogy.>
Hwajin. Hwa Young. Two names, same person. When Hwajin
was 10 years old, Imperials of the Empire of New Joseon destroyed her home, a
clanner moon in the Moonstorm called Carnelian, where starblooms flourish. She’s
orphaned and is rescued by a lancer, a giant martial robot piloted by a lancer
pilot. From that day forward, she yearns to be the best and the strongest in
order to achieve lancer pilot status. When an attack at her boarding school
finds Hwa Young (a ward of the state, she has no last name due to no family
affiliation) and her classmates in need of rescue, her dream looks to become
reality. Eleventh Fleet is in dire need of pilot candidates, but the tricky
part is, the lancer chooses the pilot. Only one lancer in the fleet has
singularity lance capabilities, giving it extraordinary combat potential, and
it’s also the one that’s killed multiple pilot candidates in the past.
Will Winter’s Axiom finally choose another pilot? Hwa Young
has worked so hard to hide her clanner past. Uncovering a conspiracy may
jeopardize that past and the Imperial empire she’s been so loyal to for the
last six years.
Trust
the Empress. Unity is survival. Imperial vs. clanner words. This explosive YA
trilogy starter is a sci-fi, space opera force to be reckoned with. A teen with
a past pushes herself to excel in a society where conformity is valued above
all else and loyalty to the Empress generates gravity (and can weaponize it).
This story is high-concept and mecha with an all-Korean cast. It’s a good
choice for readers who are too young to read Xiran Jay Zhao’s “Iron Widow.”
Nonbinary characters use zie/zir pronouns. This
adventure has a definite theme of colonialism in an unexpected setting (outer
space) and revolution with intriguing characters, powerful world-building and
action-packed battles. It is intricate and high-octane.
