Something YA
this way comes (again)!
Children of
Blood and Bone (Mar. 6,
2018) by Tomi Adeyemi.
*This is the first novel in a trilogy.*
There is no
magic left in the world, but there are still repercussions stemming from the Raid. Eleven years ago, King Saran, a
merciless tyrant, destroyed magic and had all maji massacred, including Zélie
Adebola’s mother, a great Reaper.
Zélie is not off the hook, either. Although magic is gone, she remains visible
with the white hair of divîners,
those descendants of maji that could’ve one day become maji, wielders of their
respective magics. Her brother, Tzain, is not a divîner, but a kosidán (someone without magic). Zélie’s
life is further complicated when a young woman desperately reaches out to her
to escape, as she is being pursued for an artifact (scroll) she has stolen.
This young woman is Orïsha’s Princess
Amari, daughter of Saran. What she has stolen could help restore magic back to
the world. Amari, Zélie and Tzain, with the Adebola’s family lionaire, Nailah, set off to collect two
other holy artifacts (a bone dagger and a sunstone) and reach “a sacred island
off the northern coast of the Orinion Sea” and complete the ritual before the centennial solstice. Close on their
trail is Amari’s older brother, Crown Prince Inan, who’s always looked for his
father’s approval and has even gone so far as to physically maim his only
sister. His hatred of magic runs deep, but fate is going to throw a wrench into
his life in a very big way. Denial won’t help. The harder he fights it, the
tougher it will be on him. Is Inan’s heart as hardened as Saran’s?
Although the starter in the Legacy of Orïsha trilogy, it already
feels epic. In this YA novel featuring a complex cast of West-African
characters (who speak the Yoruba language), a captivating and variegated
narrative, and an Atlas-like weight-of-the-world on Zélie’s shoulders, this
debut is worthy of any and all accolades. The novel is presented in an
expansive and immersive landscape with themes current to our world despite its
fantasy setting. It evokes the conscience, but instead of brutality revolving
around race or religion or sexual orientation, it stems from hatred of those
who wield magic or potentially can wield it. Still, justice is needed as much
here as in any non-magical society. This story is not always easy to read, but
it’s a literary achievement of imagination, emotion, grit and more than one
strong female. If you’re a YA reader, and this isn’t on your shelf, it should
be!
Finale (May 7, 2019) by Stephanie Garber.
*This is the final novel in a trilogy.*
The Fates are
free. Considering how long they’ve been trapped in a special Deck of Destiny,
they are not running around wreaking havoc right away, as their powers are
weak, but it’s obvious when it begins. A family enjoying an outside dinner is
frozen; Scarlett can see their feelings vividly (The Poisoner). Paid servants
are forced to dance endlessly along invisible strings; most are no longer
conscious, as they were probably animated a full day previous when their
employer was killed in a horrible manner (Jester Mad). But Scarlett and
Donatella’s mother is also free, and that’s what matters to Tella.
Unfortunately, the Fallen Star – the Fate at the top of the totem pole – seems
to have come back strong. Certain Fates are less terrible than others, though
one would never call them friends. Friendly acquaintance would also be a
stretch. Scarlett, Julian, Tella and Legend must find a way to outwit the
Fallen Star. Can they do so before utter chaos and irreversible damage descend
upon Valenda? Because it isn’t just the four of them that will suffer, but
Valenda’s residents, too. And when Scarlett learns a life-changing truth, will
she harness it willingly or by force?
I know I mentioned it for the
previous book, “Legendary,” but I do not care for Tella. This remains true for
this final installment in the Caraval
trilogy. She grates on my nerves, and because I don’t care for her, I don’t see
why one boy loves her, much less two. I think it’s her lack of maturity
compared to her older sister, Scarlett, which annoys me.
Negatives aside, I remain a
spellbound fan of this trilogy. It ensnared me in its magical force much like
Erin Morgenstern’s “The Night Circus” and may also appeal to anyone who enjoyed
the lesser-known film “Stardust.” I like that this novel features the
perspectives of both sisters. It is darkly lustrous and ominously enchanting.
Imagine glitter and beauty and a façade of opulence where the likes of black
diamonds and blood-red gems twinkle with millions of sparkles that could hurt
you as they mesmerize you. It is a spectacle for the imagination, and I hope
the author has a new series brewing.
The Red Scrolls of Magic (Apr. 9, 2019) by Cassandra Clare and
Wesley Chu.
*This is the first novel in a trilogy.*
The High Warlock
of Brooklyn, Magnus Bane – suave, stylish and hedonistic – wants nothing more
than to enjoy a fabulous European vacation with his boyfriend, Alexander “Alec”
Lightwood, a shy yet fierce Shadowhunter whose blood caries that of angels
(Nephilim). Magnus’ plans are waylaid almost from the get-go when he is told by
a trusted friend that a cult known as the Crimson Hand has been sacrificing
faeries in order to raise Asmodeus, a Greater Demon/Prince of Hell. Asmodeus
has significance in Magnus’ life, though none of it is positive. Unfortunately,
all Magnus remembers of the Crimson Hand is that he founded it as a drunken
joke; his other memories of the cult appear to be missing. The Spiral
Labyrinth, the warlock’s mysterious underground headquarters, will not be
forgiving to Magnus if the Crimson Hand, with Magnus as their rumored leader,
continues as is. He teams up with Alec and a Korean warlock they encounter
along the way named Shinyun Jung, who has a storied past with the cult. When
Alec goes to the Rome Institute, he falls into step with Shadowhunters Aline
Penhallow (lives in Alicante, the capital and only city of Idris, the
Shadowhunters’ home country) and Helen Blackthorn (of the Los Angeles
Institute). With destructive demons and questioning Shadowhunters, Magnus and
Alec’s romance will be tested … through battle, pain and fire. Can such a new
love overcome such obstacles?
According to the acknowledgements,
this story falls chronologically during “City of Fallen Angels” (2011), the
fourth novel in The Mortal Instruments
series. “The Red Scrolls of Magic” launches the first in The Eldest Curses trilogy, Clare’s collaboration with Chu. Magnus
and Alec are far more star-crossed than Romeo and Juliet; there’s Downworlder
and Shadowhunter, immortal and mortal in play here. Action and adventure is
plentiful in this installment of secrets, magic, new love, combat, self-doubt
and compassion. It is compelling and thrilling, and considering when the story
takes place, it’s nice to encounter a certain familiar character in all his
sarcastic, undead form (I’m talking about you, Raphael Santiago). I so
appreciate the ethnic diversity of this series, especially in introducing a
Korean character, but I didn’t choose it for the diversity or the LGBTQ+
representation. At its core, I’m a fan of Clare’s work, and Magnus is my
favorite of her characters. He is “a blazing riot of life and color, a source
of joy for everyone around him” (p. 204). This includes us as readers!