*This is the second novel in a duology.*
*No spoilers beyond
what’s contained on the dust jacket.*
Glowing red eyes. Magic that is unbound but so powerful.
Losing memories and identity. Maia Tamarin is becoming a demon. The process is
slower for her, perhaps, because hers was a voluntary choice, but there’s no
doubt that she’ll eventually succumb. She will be Sentur’na (“cutter of fate”). She’s proven she’s the best tailor in
A’landi. She’s sewn Amana’s three magical gowns containing the laughter of the
sun, the tears of the moon and the blood of stars. But instead of bringing only
triumph, those dresses are now both her salvation and her ruin. They are her
body, mind and heart and are the source of the power in her demon’s amulet. To
destroy them would free her of Bandur, but she would also die.
It looks
apparent that A’landi will fall to the twisted shansen, who’s so dependent on
his demon, Gyiu’rak (a tiger demon),
that he’s lost his humanity. Even if Emperor Khanujin had the largest army,
none of them would stand a chance against Gyiu’rak and the ghosts she can call
upon. If Maia can use her demon self as long as she is aware of both parts of
herself (the demon and not), should she help save A’landi? Edan won’t want her
to, but who else stands a chance against Gyiu’rak? Maia would rather Lady
Sarnai and her Lord Xina lead if the emperor is unable, but Sarnai and Xina
haven’t been spotted since Maia helped them escape (she also got them caught
first, so). She’ll do what she can to protect Baba and Keton (her only living
brother) and her friend Ammi (even when she forgets her name). She will fight
for them until she loses her humanity … or dies.
This novel,
which wraps up The Blood of Stars
duology, is fast-moving and character-driven with two strong female
protagonists featured. There is a lot of action, but the YA novel isn’t without
emotion. Quite the opposite, as Maia’s internal struggle as she consciously
loses her humanity threatens to overwhelm her, while at other times it infuses
her with the power to hold onto those she loves. I loved reading this duology
with its cast of Asian characters and legends (e.g. the thousand origami paper
cranes, the red thread of fate). Both novels in this duology highlight culture
beautifully in its prose. The way Lim weaves each strand of the story together
makes it a standout. I’m pleased to get this posted as AAPI Month comes to
another end.
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