*This is the first
novel in a duology.*
Welcome to Brooklyn’s Little Madrigal, a unique diaspora
community of pirates, Madrigal Santeros and Sephardic Jews (a.k.a.
Sefaradim). It’s where one can find 16-year-old Mateo Matisse Medina, a piano
prodigy who lives with his Tía Lucia (living) and Tía
Miriam (not living). Mateo’s goal is to catch Maestro Grilo Juan Gerval’s
attention, a musical legend and the only one from their community who’s made a
name in the world. Meanwhile, Mateo excels at sea espíritu, like
a spirit, so being present without really being seen. Until he IS seen. He’s
the only one who didn’t know he’s an initiate of Galanika, one of the three
original spirits of San Madrigal, an island in the Caribbean which
sank when he was a toddler. Galanika is a healer, so suddenly Mateo is a ...
healer? Their diaspora is falling apart and has been for awhile, but Mateo
hasn’t noticed it until Rabbi Hidalgo’s murder-y daughter, Chela
(initiate to Okanla, the destroyer), points it out to him. Someone’s been
selected to take Anisette Bisconte’s place on the Cabildo (Little
Madrigal’s leadership council), and it’s not Tolo Baracasa, the one expected to
be her successor and Chela’s cousin, but Gerval. People are taking sides, and
Mateo doesn’t want to choose a side, but he must. His newfound power won’t
allow him to sit on the sidelines, invisible. Battle is looming, and the
secrets coming to light be deadly, but getting to the other side of the mayhem
could hold the key to the dark mystery surrounding San Madrigal. Rumor has it
that it can rise again. And Mateo won’t be alone, for he’ll have Chela
(newly-realized crush, murder-y bits and all), Tams (his undeniably
cool best friend) and Maza (they are unabashedly flirtatious with Tams,
who’s a shameless flirt). While Little Madrigal may once have been a
refuge for its community or a layover for Mateo (who’s sometimes felt like
a tourist in his own neighborhood), who often traveled with his science-minded
doctor-parents, it’s about to become a battleground instead. Myths are their
reality. Ready?
A newbie to
Older’s writing, I am captivated by this standout YA novel that bubbles over
with mystery and mayhem, but also humor and heart. Chaos
culminates through division and fear, but courage steps forward, however
grudgingly and unsure. It’s a story that hits high notes and low tones, a rich
song in book form with humanness and depth. Readers are treated to a community
with deep-rooted traditions, a varied history that isn’t without secrets, new
and tentative romance and contemporary adventure with magical elements,
all while blending in themes of identity, diaspora and colonialism. Older’s
writing is there to enjoy as one would any rollercoaster adventure, but it also
makes one think: about the pain of identity and diaspora, even within one’s own
community, yet also showcases the solidarity and toughness of the
same community. The folklore present in this urban fantasy fits well
within the Rick Riordan Presents imprint. The previous stories I’ve
read within the imprint have been middle-grade titles, but this YA title lends
the imprint high school teenager vibes with the world-building that I would
expect of any winsome story. I also love the diverse cast, the population of
San Madrigal a beautiful blend of Indigenous, West African and European Jewish
peoples with the varied skin tones that would go along with that diverse
population. It hits the right notes with its lush harmony of adventure,
diversity, music and magic, and I will definitely return for the next “Outlaw
Saints” novel.
P.S. I want
San Madrigal to be real like I also wish Wakanda, the Wizarding
World, Alicante, the Shire and all other worlds and realms were real.
Maybe let’s leave out the bambaruto creatures, though. Very
unpleasant.
P.P.S. For
some reason, each time I read “empire pirates,” I wanted to say “vampire
pirates.” But it’s empire. As for the other, someone write that book, stat!
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