Steve Argyle, illustrator.
<This is
a standalone novel.>
A man awakens in what appears to be medieval England with
no inkling of who he is, where he came from or why he’s there. Experiences and
people he encounters along the way trigger his hidden memories. While he isn’t
the person Ulric Stromfin (cartel leader) is chasing, Runian (Sefawynn’s name
for him; she’s a skop a.k.a. poet) has become a person of interest just
by being in this particular dimension. As he gains his missing memories, Runian
makes allies amongst the locals. Along with Sefawynn, there’s Ealston, the
Little Father of Stenford (lesser than an earldom), and Thokk, a spry woman who
looks to be 80. Gaining his memories and finding allies will be necessary for
him to survive in this Anglo-Saxon-England-type dimension. This dimension also
supposedly has some magic, not like the expensive augments Runian has (like
plating in his forearms to ward off, say, a knife attack) or his medical
nanites (which require him to eat carbon to keep them replenished), but actual
magic. Skops have their boasts, and there are wights. Superstition has it that
if a skop sees one directly, either the wight will die or the skop will. They
can be helpful or mischievous and usually alone aren’t powerful. But together,
can they do more? Like overcome invading Hordamen (Vikings with long, enviously
well-groomed hair) and the god Woden?
In the
case of this novel, I didn’t judge it by its cover, but by its title. This
adult fiction novel is part sci-fi and epic fantasy involving traveling to a
different dimension from a futuristic Seattle. When Runian fully recalls his
name and who he is, he remembers that he’s not a person who’s made great
choices. In this dimension, he can be the hero. It’s eye-opening for him and
entertaining for the readers. It’s not without fear of constantly having to
defend your territory and those you care about and the hardship of living life
without basic amenities, but Sanderson writes it as a constant adventure with
high stakes, brilliant world-building, a fast-paced plot and defined
characters. Prior to this story, I’d only read one of his middle-grade stories
in advanced reader copy (ARC) form, but in reading this novel, I can see why
Sanderson’s a prolific author. When reading this story, you might ask yourself,
“All Right, WHY Can’t I Have a Dimension Full of Talking Bananas?” Five out of
five stars.
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