Rutabaga's Reads 2025: Part 16

It’s been a push to piece together a third middle-grade compilation post, but I made it. In this round, you’ll find Never After heroes vs. Never After ogres, Feast vs. Famine and feisty Mayan gods vs. at least one desperate godborn.

The End of the Story (Dec. 3, 2024) by Melissa de la Cruz.

<This is the fifth and final novel in a pentalogy.>

<Alert: Potential spoilers ahead.>

The Never After crew are back together for one more world-saving adventure. Queen Olga isn’t vanquished. They are looking to locate Sabine, the last surviving fairy, before Queen Olga and her minions do. Sabine is also known as ... Tinker Bell! She must be protected. If the last surviving fairy dies, so does all of Never After. Filomena, Gretel, Jack and Alistair join friends new (like Captain Hook, an adventurer, not a pirate, with a flying ship courtesy of the fairies and a good history with crocodiles) and old. Their search will take them to Neverland and the forever boy, Peter Pan, who’s nothing like the fairy tale mortals know in the human world. There’s an impressive blacksmith’s shop “straight down till morning” in a little-known place called Everland, and the nymphs know all the tea. The Dragon Realm refuses to help them, stating that it’s too soon since they last helped them. Filomena knows what battle they’re referring to, but Jack, Alistair and Gretel do not. Filomena has time-jumped and retains her memories, but few others remember Before, and it’s shredding Filomena up keeping that secret to herself. With evil closing in and mischief afoot, the good friends must figure out how to protect the magic of Never After and conquer Olga once and for all. Then, and only then, might it come to the End of the Story.

            What’s a middle-grade fantasy adventure without some world-saving? There is drama and friendship, ogre-slaying and compassion, dragons and swoop holes. There are hellos to be had and big decisions to make, not only leading up to the End of the Story, but what might happen beyond The End. (As of this posting, there’s no rumor of a spinoff series, but I’d love one.) As with the book’s predecessors in the Never After series, the heroic characters are relatable, courageous and diverse, the plot rapidly unfolds, and Jack eventually remembers. This final tale is exhilarating and the conclusion is satisfying. The author’s given a fresh take on twisted fairy tales, and I’ve enjoyed every spellbinding moment.

            Book One: The Thirteenth Fairy

            Book Two: The Stolen Slippers

            Book Three: The Broken Mirror

            Book Four: The Missing Sword

The Fire Keeper (Sept. 3, 2019) by J.C. Cervantes.

<This is the middle novel in a trilogy.>

<Alert: Potential spoilers ahead.>

The Maya gods required him to write a book, but he’s the one who snuck a secret message in it, visible only to other godborns. Zane Obispo currently resides on a secluded tropical prison, er, island. His family (his mom and Uncle Hondo) and closest friend (Brooks) are there, but life feels far from picturesque. His dog-turned-hellhound, Rosie, isn’t the four-legged companion she was pre-hellhound, and that rift hurts. He’s ready to bust out and go save Hurakan (his godly parent), but there’s the matter of getting off an island that keeps other gods out, but also keeps him trapped inside. Before Zane and Brooks set their plan in motion to leave, a godborn arrives in a boat steered by no one with shadows surrounding her. Renata “Ren” Santiago saw his secret note in the book (she checked it out from the library). Unfortunately, he learns that in inserting that note, he unintentionally put other godborn youth at risk. On top of finding Hurakan, he must find the godborns before the gods do, because they will kill them. And, bonus note, Hurakan is scheduled to be executed. The Fire Keeper may be able to change the future if the god can be located. Zane will do whatever it takes to save his dad, even if it means interacting with Ah-Puch. Even if it means sort of dying.

            I love learning about mythology, especially mythology that’s still new to me, but I struggled with Zane. Yes, he’s desperate to save Hurakan and juggling also saving the godborn children, but his thoughtless haste, while youthful, irritated me. The pacing started off slow, but picked up. This Mayan mythology, middle-grade fantasy is fiery, the plot is busy, and the gods are as feisty as ever. As the middle story in a trilogy, it does fall a bit to middle-book syndrome, like there’s more verbiage than helps move the story along. But with secrets and lives to save, it should satisfy the most voracious of mythology fans.

            Worthy of note (to me): Itzamna, a Maya creator god of the moon, bringer of writing and culture, creator of the calendar, and father to the Bakabs: “I’d much rather read great works, write poetry, play the flute, and float across the starry sky.” Me, too, Itzamna. Me, too.

            Book 1: The Storm Runner

The Last Great Heir (Jan. 28, 2025) by Carina Finn.

<This is the first novel in a series.>

With their thirteenth birthdays around the corner, the fated duel between Merriment Feast and Rue Famine is about to commence. Raised as rivals, Feasts are adept at charms, while Famines excel at potions. Fauret has been under Feast rule for generations, and only Feasts benefit from Feast rule. Their feasting is gluttonous, and those beyond Fauret’s walls are starving. Merriment’s life has been like one big party, filled with beautiful attire and no shortage of delectable pastries. Rue’s life has been monotone in comparison, filled with studies and learning how to use her magic to help others. One has grueling studies under a tyrannical aunt, the other studies without the guidance she needs. They’ve never met, but they have more in common than they realize, including a common enemy.

            A tale of female heirs dueling to the death reminds me of Kendare Blake’s Three Dark Crowns series, but the comparison ends there. Whereas Blake’s series is YA and quite dark + violent, this story is middle-grade and only mildly gloomy. The Feast and Famine series opener receives much fanfare, but what should be a fantastical, sparkling debut loses some of its luster in its lack of smooth plotting and a later-in-the-story reveal that needs more backstory. There definitely could’ve been more worldbuilding, but I do feel I was able to distinguish between Rue’s and Merri’s voices. There are sincere moments, the setting is charming, and the premise has great promise. My favorite characters just might be the fickle, mercurial demons, with specific shoutout to Jahi.