Warning:
SPOILERS included. Unless you’ve already read the screenplay and/or seen the
movie, bypass this post if you don’t want to know things before you’re ready.
Fantastic Beasts: The Crimes of
Grindelwald – The Original Screenplay
(Nov. 16, 2018) by J.K. Rowling.
For reasons not
shared until much later, Albus Dumbledore will not go after Gellert
Grindelwald, the latter of whom has escaped. He’s amassing followers and is
determined to locate the Obscurial, who was presumed dead. On the contrary,
Credence Barebone is alive and wants desperately to know who he really is.
Albus enlists Newt Scamander in helping to locate Credence, who’s been spotted
in France. Newt isn’t supposed to cross international borders, as he’s a wanted
wizard, but thanks to those handy portkeys,
travel is possible. His no-maj
friend, Jacob Kowalski, ends up with him quite by accident. Well, Queenie
Goldstein brought him, but as a Legilimens,
she can read other people’s thoughts, and Jacob thought something that upset
her, so she, essentially, abandoned him. Queenie has set off to look for her
sister, Tina Goldstein, an American Auror, who’s been looking for Credence. So
is Yusuf Kama, but why he’s looking for him is not the correct story. For that,
they’ll want to hear from Leta Lestrange, whom Newt has cared deeply for, but
who’s engaged to Newt’s brother, Theseus, who apparently has a tendency to want
to kill him. (Theirs is a complicated relationship.) It all comes back around
to Grindelwald. Why does he want the Obscurial? For what nefarious plans does
Grindelwald have involving Credence? Can Newt and Tina get to him before
Grindelwald?
I hadn’t seen the movie before I
read the screenplay. The great thing about reading the screenplay first is that
I feel like I’ve gotten all the answers beforehand. Nothing will spring up on
me on the movie screen; I’ll know what to expect. But the not-so-great thing is
that it’s a screenplay and not a full-length novel. I would happily read scores
of stories set in J.K. Rowling’s Wizarding World that are a thousand pages long
per book (at least), but instead we get a screenplay. It’s still enjoyable to
read so we feel we are involved, but it’s like a tiny sampler appetizer: tasty,
but without the benefit of truly tiding you over. Because of its format, it
read very quickly. I still adore Newt’s magizoologist
quirkiness. I hope we get to see more from Dumbledore in subsequent
screenplays/movies. And I’d like to add a zouwu
to my list of pets in my imaginary menagerie of Creatures That Don’t Exist. A
baby niffler, too, while I’m at it.
*Cheshire grin*
No comments:
Post a Comment
You have a book or post-related comment on your mind? Wonderful! Your comments are welcome, but whether you are a regular or guest Rutabaga, I expect you to keep your comments clean and respectable. :-)