All Mackenzie (Mack) Black has to do is hide, and she is an
expert at hiding. The prize for winning the hide-and-seek competition is
$50,000, which is a lot of money, especially for Mack, who’s been living in a
homeless shelter and can fit her life in one bag. After a family massacre
committed by her father years back, Mack is alone, and endures much guilt
over remaining alive. When she meets the 13 other competitors, she plans
to stay invisible, because that’s what Mack is good at. They’re deposited at an
abandoned amusement park (the Amazement
Park). Nights are safe, but they must hide during daylight hours. They
figure out that two players will be “out” each day, but discovering what it
means to be out takes on new meaning soon enough. Mack is with an eclectic
group that includes the kindliest gas
station attendant in Idaho, a lesbian veteran and a young man banished from his
father’s religious sect, though all 14 are similar in their financial
struggles. Who or what are they hiding from? What does Linda know? Is it
coincidence that last names are shared with names found throughout the park
like Callas, Nicely and Stratton?
“Hide” is
White’s first foray into adult fiction, and it positively pulses with dread.
And death. In this paranormal horror novel, no one’s a teenager, but they all
read somewhat younger, perhaps due to the emotional trauma each has experienced
on some level or because the author has written many young-adult novels. The
setting and the atmosphere of the book give the feeling that it’s a struggle to
exist in a merciless world where thorns don’t only prick, they cause torrents
of blood. Although classified as horror, I did not find it to be scary. That
said, I wouldn’t recommend this story to younger YA readers, as there are
occasional expletives that parents may not want in their children’s literature,
nor would I recommend this to adults who want big-time horror feels. But the
prose is simple, making for a quick read that is fast-paced. Life is not fair,
and this story makes that abundantly clear. You’ve got those at the top and
those that are treated as disposable. While the millennial horror is at a
minimum in this story, it doesn’t stop the story from reeking of rotting things
and death.
Come out, come out, wherever you are …
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